mayanparty:

for all artists wanting to practice drawing poses, i found a really awesome site

dredsina:

broadfields asked you: Could you possibly do a mouth tutorial? Unless you’ve already done so. In that case, possibly pointing me in the right direction? :]

I wash my hands of this. It’s evidence of my piss-poor design skills.

miyuli:

Hands studies with a mirror and some acrobatic performances.

kalidraws:

Today I gave my students a quick presentation on some of the basic considerations for composition, which I am now sharing with you! I’ve given them separate talks about color and tonal value/contrast, which are also super important compositional concerns. (I’ll be sharing those presentations too once I properly format them)
I personally love learning about different compositional techniques. It’s fun to think about the ways that the brain views & sorts images, and how we can trick it into feeling a certain way or looking at certain aspects of an image first! It’s easy to fall into compositional ruts (which I am also guilty of) because a lot of art gets by with mediocre, though serviceable, compositions. If you can generally understand what’s happening in an image then it’s generally fine. However, it’s the truly great compositions, where everything in the whole image has been considered and ‘clicks’ together, that bump up an illustration to a visual slam dunk. NC Wyeth is one of my favorite artists for this reason: his compositions are rock solid, varied based on the image’s intent, and always enhance the mood or action he is depicting.
For extra reading, some online compositional resources that I’ve found helpful or interesting include:Creative Illustration by Andrew Loomis (download it for FREE. Such a great book all-around.)Gurney Journey (check out the “Composition” tag, but really everything he posts is great)The Schweitzer guide to spotting tangentsCinemosaic (a blog by Lou Romano with some truly WONDERFUL compositions captured from various films)Where to Put the Cow by Anita Griffin
Happy composition-ing!
kalidraws:

Today I gave my students a quick presentation on some of the basic considerations for composition, which I am now sharing with you! I’ve given them separate talks about color and tonal value/contrast, which are also super important compositional concerns. (I’ll be sharing those presentations too once I properly format them)
I personally love learning about different compositional techniques. It’s fun to think about the ways that the brain views & sorts images, and how we can trick it into feeling a certain way or looking at certain aspects of an image first! It’s easy to fall into compositional ruts (which I am also guilty of) because a lot of art gets by with mediocre, though serviceable, compositions. If you can generally understand what’s happening in an image then it’s generally fine. However, it’s the truly great compositions, where everything in the whole image has been considered and ‘clicks’ together, that bump up an illustration to a visual slam dunk. NC Wyeth is one of my favorite artists for this reason: his compositions are rock solid, varied based on the image’s intent, and always enhance the mood or action he is depicting.
For extra reading, some online compositional resources that I’ve found helpful or interesting include:Creative Illustration by Andrew Loomis (download it for FREE. Such a great book all-around.)Gurney Journey (check out the “Composition” tag, but really everything he posts is great)The Schweitzer guide to spotting tangentsCinemosaic (a blog by Lou Romano with some truly WONDERFUL compositions captured from various films)Where to Put the Cow by Anita Griffin
Happy composition-ing!
kalidraws:

Today I gave my students a quick presentation on some of the basic considerations for composition, which I am now sharing with you! I’ve given them separate talks about color and tonal value/contrast, which are also super important compositional concerns. (I’ll be sharing those presentations too once I properly format them)
I personally love learning about different compositional techniques. It’s fun to think about the ways that the brain views & sorts images, and how we can trick it into feeling a certain way or looking at certain aspects of an image first! It’s easy to fall into compositional ruts (which I am also guilty of) because a lot of art gets by with mediocre, though serviceable, compositions. If you can generally understand what’s happening in an image then it’s generally fine. However, it’s the truly great compositions, where everything in the whole image has been considered and ‘clicks’ together, that bump up an illustration to a visual slam dunk. NC Wyeth is one of my favorite artists for this reason: his compositions are rock solid, varied based on the image’s intent, and always enhance the mood or action he is depicting.
For extra reading, some online compositional resources that I’ve found helpful or interesting include:Creative Illustration by Andrew Loomis (download it for FREE. Such a great book all-around.)Gurney Journey (check out the “Composition” tag, but really everything he posts is great)The Schweitzer guide to spotting tangentsCinemosaic (a blog by Lou Romano with some truly WONDERFUL compositions captured from various films)Where to Put the Cow by Anita Griffin
Happy composition-ing!
kalidraws:

Today I gave my students a quick presentation on some of the basic considerations for composition, which I am now sharing with you! I’ve given them separate talks about color and tonal value/contrast, which are also super important compositional concerns. (I’ll be sharing those presentations too once I properly format them)
I personally love learning about different compositional techniques. It’s fun to think about the ways that the brain views & sorts images, and how we can trick it into feeling a certain way or looking at certain aspects of an image first! It’s easy to fall into compositional ruts (which I am also guilty of) because a lot of art gets by with mediocre, though serviceable, compositions. If you can generally understand what’s happening in an image then it’s generally fine. However, it’s the truly great compositions, where everything in the whole image has been considered and ‘clicks’ together, that bump up an illustration to a visual slam dunk. NC Wyeth is one of my favorite artists for this reason: his compositions are rock solid, varied based on the image’s intent, and always enhance the mood or action he is depicting.
For extra reading, some online compositional resources that I’ve found helpful or interesting include:Creative Illustration by Andrew Loomis (download it for FREE. Such a great book all-around.)Gurney Journey (check out the “Composition” tag, but really everything he posts is great)The Schweitzer guide to spotting tangentsCinemosaic (a blog by Lou Romano with some truly WONDERFUL compositions captured from various films)Where to Put the Cow by Anita Griffin
Happy composition-ing!
kalidraws:

Today I gave my students a quick presentation on some of the basic considerations for composition, which I am now sharing with you! I’ve given them separate talks about color and tonal value/contrast, which are also super important compositional concerns. (I’ll be sharing those presentations too once I properly format them)
I personally love learning about different compositional techniques. It’s fun to think about the ways that the brain views & sorts images, and how we can trick it into feeling a certain way or looking at certain aspects of an image first! It’s easy to fall into compositional ruts (which I am also guilty of) because a lot of art gets by with mediocre, though serviceable, compositions. If you can generally understand what’s happening in an image then it’s generally fine. However, it’s the truly great compositions, where everything in the whole image has been considered and ‘clicks’ together, that bump up an illustration to a visual slam dunk. NC Wyeth is one of my favorite artists for this reason: his compositions are rock solid, varied based on the image’s intent, and always enhance the mood or action he is depicting.
For extra reading, some online compositional resources that I’ve found helpful or interesting include:Creative Illustration by Andrew Loomis (download it for FREE. Such a great book all-around.)Gurney Journey (check out the “Composition” tag, but really everything he posts is great)The Schweitzer guide to spotting tangentsCinemosaic (a blog by Lou Romano with some truly WONDERFUL compositions captured from various films)Where to Put the Cow by Anita Griffin
Happy composition-ing!
kalidraws:

Today I gave my students a quick presentation on some of the basic considerations for composition, which I am now sharing with you! I’ve given them separate talks about color and tonal value/contrast, which are also super important compositional concerns. (I’ll be sharing those presentations too once I properly format them)
I personally love learning about different compositional techniques. It’s fun to think about the ways that the brain views & sorts images, and how we can trick it into feeling a certain way or looking at certain aspects of an image first! It’s easy to fall into compositional ruts (which I am also guilty of) because a lot of art gets by with mediocre, though serviceable, compositions. If you can generally understand what’s happening in an image then it’s generally fine. However, it’s the truly great compositions, where everything in the whole image has been considered and ‘clicks’ together, that bump up an illustration to a visual slam dunk. NC Wyeth is one of my favorite artists for this reason: his compositions are rock solid, varied based on the image’s intent, and always enhance the mood or action he is depicting.
For extra reading, some online compositional resources that I’ve found helpful or interesting include:Creative Illustration by Andrew Loomis (download it for FREE. Such a great book all-around.)Gurney Journey (check out the “Composition” tag, but really everything he posts is great)The Schweitzer guide to spotting tangentsCinemosaic (a blog by Lou Romano with some truly WONDERFUL compositions captured from various films)Where to Put the Cow by Anita Griffin
Happy composition-ing!
kalidraws:

Today I gave my students a quick presentation on some of the basic considerations for composition, which I am now sharing with you! I’ve given them separate talks about color and tonal value/contrast, which are also super important compositional concerns. (I’ll be sharing those presentations too once I properly format them)
I personally love learning about different compositional techniques. It’s fun to think about the ways that the brain views & sorts images, and how we can trick it into feeling a certain way or looking at certain aspects of an image first! It’s easy to fall into compositional ruts (which I am also guilty of) because a lot of art gets by with mediocre, though serviceable, compositions. If you can generally understand what’s happening in an image then it’s generally fine. However, it’s the truly great compositions, where everything in the whole image has been considered and ‘clicks’ together, that bump up an illustration to a visual slam dunk. NC Wyeth is one of my favorite artists for this reason: his compositions are rock solid, varied based on the image’s intent, and always enhance the mood or action he is depicting.
For extra reading, some online compositional resources that I’ve found helpful or interesting include:Creative Illustration by Andrew Loomis (download it for FREE. Such a great book all-around.)Gurney Journey (check out the “Composition” tag, but really everything he posts is great)The Schweitzer guide to spotting tangentsCinemosaic (a blog by Lou Romano with some truly WONDERFUL compositions captured from various films)Where to Put the Cow by Anita Griffin
Happy composition-ing!

kalidraws:

Today I gave my students a quick presentation on some of the basic considerations for composition, which I am now sharing with you! I’ve given them separate talks about color and tonal value/contrast, which are also super important compositional concerns. (I’ll be sharing those presentations too once I properly format them)

I personally love learning about different compositional techniques. It’s fun to think about the ways that the brain views & sorts images, and how we can trick it into feeling a certain way or looking at certain aspects of an image first! It’s easy to fall into compositional ruts (which I am also guilty of) because a lot of art gets by with mediocre, though serviceable, compositions. If you can generally understand what’s happening in an image then it’s generally fine. However, it’s the truly great compositions, where everything in the whole image has been considered and ‘clicks’ together, that bump up an illustration to a visual slam dunk. NC Wyeth is one of my favorite artists for this reason: his compositions are rock solid, varied based on the image’s intent, and always enhance the mood or action he is depicting.

For extra reading, some online compositional resources that I’ve found helpful or interesting include:
Creative Illustration by Andrew Loomis (download it for FREE. Such a great book all-around.)
Gurney Journey (check out the “Composition” tag, but really everything he posts is great)
The Schweitzer guide to spotting tangents
Cinemosaic (a blog by Lou Romano with some truly WONDERFUL compositions captured from various films)
Where to Put the Cow by Anita Griffin

Happy composition-ing!

wonderfur:

curryuku:

marcopolo972:

Artist: seita Source: http://www.pixiv.net/member_illust.php?mode=manga&illust_id=21508982

i love these kind of clothes wrinkles

clothing folds auugjkdsuusdfkhgjbdmnv
wonderfur:

curryuku:

marcopolo972:

Artist: seita Source: http://www.pixiv.net/member_illust.php?mode=manga&illust_id=21508982

i love these kind of clothes wrinkles

clothing folds auugjkdsuusdfkhgjbdmnv

wonderfur:

curryuku:

marcopolo972:

Artist: seita
Source: http://www.pixiv.net/member_illust.php?mode=manga&illust_id=21508982

i love these kind of clothes wrinkles

clothing folds auugjkdsuusdfkhgjbdmnv

(Source: doodlerush)

lemonorangelime:

paperseverywhere:

okamikyru:

Hand Poses by Melyssah6
I stumbled upon these and love them! If you struggle with hands (like me) these are great for practice and referencing. Thought I’d share my finds with other artists~.

*O*

Thank you!
lemonorangelime:

paperseverywhere:

okamikyru:

Hand Poses by Melyssah6
I stumbled upon these and love them! If you struggle with hands (like me) these are great for practice and referencing. Thought I’d share my finds with other artists~.

*O*

Thank you!
lemonorangelime:

paperseverywhere:

okamikyru:

Hand Poses by Melyssah6
I stumbled upon these and love them! If you struggle with hands (like me) these are great for practice and referencing. Thought I’d share my finds with other artists~.

*O*

Thank you!
lemonorangelime:

paperseverywhere:

okamikyru:

Hand Poses by Melyssah6
I stumbled upon these and love them! If you struggle with hands (like me) these are great for practice and referencing. Thought I’d share my finds with other artists~.

*O*

Thank you!
lemonorangelime:

paperseverywhere:

okamikyru:

Hand Poses by Melyssah6
I stumbled upon these and love them! If you struggle with hands (like me) these are great for practice and referencing. Thought I’d share my finds with other artists~.

*O*

Thank you!
lemonorangelime:

paperseverywhere:

okamikyru:

Hand Poses by Melyssah6
I stumbled upon these and love them! If you struggle with hands (like me) these are great for practice and referencing. Thought I’d share my finds with other artists~.

*O*

Thank you!
lemonorangelime:

paperseverywhere:

okamikyru:

Hand Poses by Melyssah6
I stumbled upon these and love them! If you struggle with hands (like me) these are great for practice and referencing. Thought I’d share my finds with other artists~.

*O*

Thank you!

lemonorangelime:

paperseverywhere:

okamikyru:

Hand Poses by Melyssah6

I stumbled upon these and love them! If you struggle with hands (like me) these are great for practice and referencing. Thought I’d share my finds with other artists~.

*O*

Thank you!

nechayano:

Ok I was recently reminded that this exists (i-I think someone DA-famous linked it or something because WHAT) and I think this may be relevant to tumblr’s interests so here’s my~female body variation tutorial~ whoo~
This came from some things I scribbled down when I was trying to keep my character designs consistent, and I realised that it kinda made me see bodies/proportions somewhat differently so I pasted it into this smarmy old tutorial, now cut up into (I hope) tumblr-friendly chunks so right-click for full size I think? (disclaimer: I don’t know anything and it is so far past my bedtime that it’s been tomorrow for a whole day so I’m going to nap and then maybe regret posting this.)
nechayano:

Ok I was recently reminded that this exists (i-I think someone DA-famous linked it or something because WHAT) and I think this may be relevant to tumblr’s interests so here’s my~female body variation tutorial~ whoo~
This came from some things I scribbled down when I was trying to keep my character designs consistent, and I realised that it kinda made me see bodies/proportions somewhat differently so I pasted it into this smarmy old tutorial, now cut up into (I hope) tumblr-friendly chunks so right-click for full size I think? (disclaimer: I don’t know anything and it is so far past my bedtime that it’s been tomorrow for a whole day so I’m going to nap and then maybe regret posting this.)
nechayano:

Ok I was recently reminded that this exists (i-I think someone DA-famous linked it or something because WHAT) and I think this may be relevant to tumblr’s interests so here’s my~female body variation tutorial~ whoo~
This came from some things I scribbled down when I was trying to keep my character designs consistent, and I realised that it kinda made me see bodies/proportions somewhat differently so I pasted it into this smarmy old tutorial, now cut up into (I hope) tumblr-friendly chunks so right-click for full size I think? (disclaimer: I don’t know anything and it is so far past my bedtime that it’s been tomorrow for a whole day so I’m going to nap and then maybe regret posting this.)
nechayano:

Ok I was recently reminded that this exists (i-I think someone DA-famous linked it or something because WHAT) and I think this may be relevant to tumblr’s interests so here’s my~female body variation tutorial~ whoo~
This came from some things I scribbled down when I was trying to keep my character designs consistent, and I realised that it kinda made me see bodies/proportions somewhat differently so I pasted it into this smarmy old tutorial, now cut up into (I hope) tumblr-friendly chunks so right-click for full size I think? (disclaimer: I don’t know anything and it is so far past my bedtime that it’s been tomorrow for a whole day so I’m going to nap and then maybe regret posting this.)
nechayano:

Ok I was recently reminded that this exists (i-I think someone DA-famous linked it or something because WHAT) and I think this may be relevant to tumblr’s interests so here’s my~female body variation tutorial~ whoo~
This came from some things I scribbled down when I was trying to keep my character designs consistent, and I realised that it kinda made me see bodies/proportions somewhat differently so I pasted it into this smarmy old tutorial, now cut up into (I hope) tumblr-friendly chunks so right-click for full size I think? (disclaimer: I don’t know anything and it is so far past my bedtime that it’s been tomorrow for a whole day so I’m going to nap and then maybe regret posting this.)
nechayano:

Ok I was recently reminded that this exists (i-I think someone DA-famous linked it or something because WHAT) and I think this may be relevant to tumblr’s interests so here’s my~female body variation tutorial~ whoo~
This came from some things I scribbled down when I was trying to keep my character designs consistent, and I realised that it kinda made me see bodies/proportions somewhat differently so I pasted it into this smarmy old tutorial, now cut up into (I hope) tumblr-friendly chunks so right-click for full size I think? (disclaimer: I don’t know anything and it is so far past my bedtime that it’s been tomorrow for a whole day so I’m going to nap and then maybe regret posting this.)

nechayano:

Ok I was recently reminded that this exists (i-I think someone DA-famous linked it or something because WHAT) and I think this may be relevant to tumblr’s interests so here’s my~female body variation tutorial~ whoo~

This came from some things I scribbled down when I was trying to keep my character designs consistent, and I realised that it kinda made me see bodies/proportions somewhat differently so I pasted it into this smarmy old tutorial, now cut up into (I hope) tumblr-friendly chunks so right-click for full size I think? (disclaimer: I don’t know anything and it is so far past my bedtime that it’s been tomorrow for a whole day so I’m going to nap and then maybe regret posting this.)

kibbi:

I perfectly understand how you feel when you can’t draw the fucking hands. I hope this will help you! good luck X°D